I discovered via today’s Flickr blog post that you can access your Flickr photos via a yearly calendar. Here’s a link for you Flickr users out there:
In the URI, you can replace “me” with another username if you want to see their public photos. Of course, you can change “2013” to any year as well.
If you don’t mind holding as still as possible for 30 minutes and paying anywhere from $445 to $2295 (depending on the size of the finished product), you can have your own action figure (or wedding cake topper, or cat toy, etc.)!
I qualify as a heavy user of cloud storage. Services like Dropbox and Google Drive are essential to my collaborative workflow. There are certain caveats to this, though:
- As a photographer, sharing 20GB of photos (from a single wedding shoot, for example) through Dropbox is cost-prohibitive. Collaborating on multiple wedding shoots will cost a pretty penny. Videographers have it worse.
- Companies require certain rights to your files in order to provide the “sharing” portion of their service, since your files will be living on their servers. As such, you are subject to their whims. (In general, you should be wary of any free service you make use of. Facebook, for example, just released new “functionality” in their mobile apps that automatically uploads ALL photos you take into a private album onto your account. It sounds convenient, but realize that once your files are on their servers, Facebook has certain rights over them.)
- My particular cable internet provider has a data cap of 250GB/month for my service tier (30Mbps). Once we hit that limit, we get throttled down to around 1.5Mbps (which is still preferable to getting overage charges). When I was experimenting with online backup solutions, I hit that data cap in half a month.
Enter Geoff Barrall, CEO and founder of Connected Data (and former CEO and founder of Drobo, Inc.). He is aiming directly at users like myself with a new product called Transporter. In a nutshell, it is a non-RAID NAS that provides Dropbox-like sharing. The kicker is how it works with other Transporter devices. If, let’s say, my photo business partner had a Transporter, we can have a synced folder for wedding photo shoots. Our Transporters will sync with each other automatically. The only “cloud” element is in the hand-shaking protocol between Transporters so that they can find each other. None of your data passes through their servers. This seems like a near-perfect win to me. It takes care of caveats 1 and 2 above.
I’m late to the game on this amazing BBC series called Human Planet. If you have a moment, I highly encourage you to check out this audio slideshow by Timothy Allen. His captures are emotional and breathtaking. I can only aspire to even approach this level of photography.
Thanks for the link, Darren!
“Zombies Are Nuts About Brains”
Sculpture + Photography + Twisted Sense of Humor = Bent Objects
Here’s a great video showing the mirror and shutter mechanism in a Canon DSLR. The action begins 60 seconds in.
Keep in mind that the entire real-time duration of the mirror swinging up, the shutter coming down, the exposure, the shutter coming back up and the mirror swinging down is .213 seconds.
Great find, Tom!
My favorite camera store, B&H Photo Video, is one of the first businesses participating in having virtual tours of their stores via Google’s Street View technology.
If you look up B&H Photo Video on Google Maps, you can step inside.
So what kind of camera do you have? How fast can it shoot? 1/4000th of a second? 1/8000th of a second? Pshaw. What do you think of a camera that can shoot 1/1,000,000,000,000th of a second? That’s so fast that it can capture light traveling in slow motion!
MIT researchers have created a new imaging system that can acquire visual data at a rate of one trillion exposures per second. That’s fast enough to produce a slow-motion video of a burst of light traveling the length of a one-liter bottle, bouncing off the cap and reflecting back to the bottle’s bottom.
I’m a sucker for elaborate contraptions—especially ones that involve themes that are near and dear to my heart.
Pictured above is a Leica Tri-Elmar-M 28-35-50mm lens cut neatly in half. Call it death of a lens. I call it an interesting display on the intricate mechanical workings of a camera lens.
These were actually made by Leica students as a graduation project and boxed as a “cutaway model” of the lens.
This also gives you a good mental image of what you can potentially break if/when you drop your lens.
Thanks for the link, David!